EXHIBITIONS (selected)

Browngrotta Arts, Wilton CT, 2024, Discource: art across generations and continents (catalog)

10th Biennale du Lin de Portneuf, Deschambault-Grondines, Quebec, Canada, 2023, Sans Domicile Fixe (No Fixed Abode)

Browngrotta Arts, Wilton CT, 2022, Crowdsourcing the Collective: a survey of textiles and mixed media art (catalog)

Browngrotta Arts, Wilton CT, 2021, Adaptation: Artists Respond to Change (catalog)

Browngrotta Arts, Wilton CT, 2020, Volume 50: Chronicling Fiber Art for Three Decades (catalog)

Browngrotta Arts, Wilton CT, 2017, Still Crazy After All These Years(catalog)

Browngrotta Arts, 2002, SOFA, Chicago

Browngrotta Arts, 2001, SOFA, New York City

Browngrotta Arts, Wilton CT, 1999, 25 for the 25th(catalog) 

American Craft Museum, 1992, special exhibition in conjunction with African Improvisations

US Art in Embassies Program, 1991-1993, work on loan to American Embassy, Poland

Snug Harbor Cultural Center, Staten Island NY, 1991 New Ends

Japanese Crafts/New England, traveling exhibition 1987-1988:

  Brattleboro Museum, Brattleboro VT, RISD Museum, Providence RI, Museum of Art,

  Springfield MA (catalog)

San Diego Museum of Contemporary Art, LaJolla CA, 1987 Alcove series: solo exhibition

Fiber R/Evolution, traveling exhibition 1986-1987:

  University Art Museum, Univ. of Wisconsin-Milwaukee, Galleries of Claremont Colleges, 

  Claremont CA, and University of California, Riverside CA, Brockton Art Museum, 

  Brockton MA, Wichita Art Museum, Wichita KS (catalog)

Thomas Segal Gallery, Boston MA

   Boston Invitational 1982, solo exhibition 1981, Black and White 1980

Hadler Rodriguez Galleries, New York NY 1981, New Talent

The Elements Gallery, New York NY

   Works in Miniature 1980, solo exhibition 1980

Miniature Fiber Arts: A National Exhibition, traveling exhibition 1979-81: tour included 

  Textile Museum, Washington DC (catalog)

Rose Art Museum,Brandeis University, Waltham MA, 1979 3-Dimensional Possibilities

American Academy in Rome, 1977 Two-person exhibition

Contemporary Crafts of the Americas, Colorado State University, Fort Collins CO, 1975 

TAPESTRY COMMISSIONS

Seton Hall University School of Law, Newark NJ, 1993

Southeastern Massachusetts University, N. Dartmouth MA, 1989

Tapestry commissioned through Massachusetts Council on the Arts and Humanities.

J.M. Wright Technical School, Stamford CT, 1985

Tapestry commissioned through One-Percent-for-Art program, Connecticut Commission on the Arts.

Massachusetts Institute of Technology, Cambridge, MA, 1984

Rocky Mountain Energy Company, Broomfield CO, 1981

FELLOWSHIPS (selected)

Bunting Fellowship. Mary Ingraham Bunting Institute of Radcliffe College. 1983-1984 

Massachusetts Artists Foundation Fellowship, Crafts, 1980

BIBLIOGRAPHY (selected)

Author: The Warp, A Weaving Reference

Van Nostrand Reinhold, New York NY, 1984; Lark Books, Asheville NC, 1987, 1991

(in print for 12 years)

Ars Textrina, Volume 6, December 1986, Winnipeg Canada,  author: Weaving, ‘riting, and ‘rithmetic

Contemporary American Craft Art: A Collector’s Guide, by Barbara Mayer

Peregrine Smith Books, Layton UT, 1988

Fiber R/Evolution, essays by John Perreault, Mildred Constantine, Mary Jane Jacob, Neda Al-Hilali, Jane Fassett Brite and Jean Stamsta, Milwaukee Art Museum, 1986

The Art Fabric: Mainstream. by Mildred Constantine and Jack Lenor Larsen

Van Nostrand Reinhold, New York NY, 1981; Kodansha International, New York NY, 1985